6 posts tagged “dollhouse”
I think I got about four hours of sleep last night, so these might be interesting, and not in altogether good way, but rather a sleep-deprived, random, scattered way.
Anyway.
1. I'm watching Regis and Kelly, and they've got this 11-year-old math genius. I'm all about fostering intelligence in one's kids and encouraging advanced education, etc. That's precisely why, if I have kids, I'm going to homeschool them. (Well that, and the fact that I don't want the liberal-choked teacher's unions to warp their brains.) However, I think the parents of kids such as this 11-year-old math whiz are doing them a great disservice by not teaching them social skills. I'm not saying they should be all pop-culturally oriented or whatever. However, they should be able to carry on a freaking conversation and be able to, I don't know, emote. Seriously. This kid was a robot. Jimmy Kimmel (guest-hosting) and Kelly were being friendly and funny and asking him different questions, and he barely responded. Never cracked a smile or really even changed expression. It was kind of pathetic.
2. I watched Grey's Anatomy last night because I forgot to cancel my Season Pass and honestly, I can't believe that a couple weeks ago, I was absolutely raving about its post-strike return and yet last night was ridiculous and uneven and pandering and did I mention ridiculous? It's pretty sad when a show I used to revere for its characterization has painted normal, sweet, emotionally stable characters like Lexie and Rose as being somehow, I don't know, abnormal or, in Rose's case, almost villainous. Cristina behaved so out of character last night I almost didn't recognize her. Don't get me started on the stupid, unrealistic and insipid Callie-Hahn storyline. The writers ruined what was an awesome storyline -- and Emmy-worthy performance by Elizabeth Reaser -- when they took the Rebecca-Alex story down the ill-fated soap opera path it's on. I'm so glad Reaser is getting her own show in The Ex List next season, and am even more excited that she'll be playing Esme Cullen in Twilight come December. Steve Betz and I commiserated on the decline of Grey's recently and he made a point that I whole-heartedly agree with: the decline started as soon as the writers started trying to tell the stories of too many characters. Sloane, Callie, the despicable Hahn, even the Chief and Bailey -- they're minor, supporting characters. Frankly, I could care less about their personal lives. Perhaps Steve's best point was that Bailey was always the rock and I loved her unshakable, "at work" mentality and how she was such a stabilizing force for the interns/residents. Now that isn't the case. I don't want to see her fall apart. Anyway, I find I just don't care about this show anymore. At all. And though there are no details forthcoming, if ABC president Steve MacPherson's comments (and the analysis of those comments) are to be believed, Shonda's planning some drastically different directions for the show next season that nobody is all that enthused about. I'm glad to be getting off the train before it derails.
3. The Office finale was probably the best episode of its season, and maybe the best since "Casino Night." I loved it and didn't even notice that it was an hour -- and I'm one of those who believe super-sized episodes are too much of a good thing. The cold open was HILARIOUS, and my obsession love for Jim Halpert (and John Krasinski) has been heightened. If that is possible. (Is cloning really so immoral if it's used for good -- namely so that Cori and I can both have him?) I wasn't spoiled, but I figured that Jim and Pam wouldn't get engaged, only because we knew it was coming, and so how would it be a surprise or somehow shocking if it happened in the finale? I am so glad the writers have fixed Pam because as I've said before, my love for her has returned to Season 1 and 2 levels and I'm happy to forget Season 3 Pam. Also, how great is Amy Ryan as the very Michael-like Holly? I look forward to seeing more of her next season.
4. The penultimate episode of Bones was beyond awesome. Best this season, and that's saying a lot, because Bones is one of those shows that -- almost non-traditionally -- has gotten better with each season. I am regularly amazed at how frakking funny David Boreanaz is. His comic timing is unbelievable. And it goes without saying that his chemistry with Emily Deschanel is fantastic. I am so excited that John Francis Daley has been brought on as a regular cast member instead of just recurring. It's so weird to see him all grown up after watching him as the tiny, adorable Sam Weir on Freaks and Geeks, and I now have a ginormous crush on him. He's so very Acronym-y.
5. The first part of the House finale -- "House's Head" -- was phenomenal. As with Bones, best this season, even topping the awesome post-Super Bowl episode. Hugh Laurie is bound to get yet another Golden Globe and Emmy nomination for this performance alone, and gee, maybe he'll even win the Emmy this time. It's long past due. The man is brilliant. Also, as an unimportant aside, I can never call Thirteen by her real name. The first and last names don't go together. At all. And her first name is...weird. So yeah. Thirteen it is.
6. No, I haven't watched the first part of Lost's three-part finale, because there's just the little matter of the four previous episodes I still have to watch. And I know, as always, I'm setting myself up to be spoiled -- and I already know a couple of things -- but I'm looking forward to diving face-first into, like, five (what better be) spectacular hours of the best show on television.
7. If you didn't see my previous post, you must check out the bits of Fringe and Dollhouse that have leaked. They both look awesome -- especially Fringe -- and I expect Fringe alone to replace a woefully derailed Heroes as the sci-fi cult show of the moment. It could possibly reach Lost heights.
8. And because I wouldn't be my obsessive self without a mention, I thought I'd post a yummy Edward Cullen picture. Because last night in my four hours of sleep, I dreamed that he turned me into a vampire. It was...lovely, and I definitely didn't want to wake up. Would that any boy (especially one this dreamy) look at me like this...
FOX has released a three-minute trailer for Fringe -- also known as the show that has me almost as impatiently excited as the Lost pilot -- and you can bet that trumps any personal post from me.
I was freaking out while I watched it. The X-Files wishes it was ever this freaky.
And if that weren't enough, about 72 seconds of the Dollhouse pilot have surfaced.
I believe my exact reaction after watching both back-to-back was something along the lines of -- and I'm trying to get the exact wording and inflection -- HELLS YEAH!
(Also? Tahmoh Pinkett is HOT. I thought so all during my love affair with Battlestar Galactica and I'm just hoping we get to see him lose the suit.)
ETA: Dollhouse paired with 24? House paired with Fringe? Almost enough to stop me from rolling my eyes at the return of the show that WILL NOT DIE. (That would be Prison Break, in case you hadn't guessed.)
I'm sure I'm the only one that bothers putting in the time to compile stuff like this -- or even cares about it -- but whatever. It's my blog, and I want it available for easy reference.
Without further adieu, the network schedule for the 2008-09 fall TV season. Obviously, FOX hasn't had its turn at the Upfront presentations yet, so I'll be updating this with their schedule announcements tomorrow.
(all times CST; * denotes new show; red highlights indicates guaranteed Season Passes; green indicates shows almost certain to gain SP status; purple indicates shows on a trial basis)
(Yes, you're reading right -- I'm done with Grey's.)
Monday
ABC: Dancing With the Stars (7-8:30); Samantha Who? (8:30-9); Boston Legal (9-10)
CBS: The Big Bang Theory (7-7:30); How I Met Your Mother (7:30-8); Two and a Half Men (8-8:30); Worst Week* (8:30-9); CSI: Miami (9-10)
NBC: Chuck (7-8); Heroes (8-9); My Own Worst Enemy* (9-10)
FOX: The Sarah Connor Chronicles (7-8); Prison Break (8-9)
[Midseason: Dollhouse (7-8); 24 (8-9)
CW: Gossip Girl (7-8); One Tree Hill (8-9)
Tuesday
ABC: Opportunity Knocks* (7-8); Dancing With the Stars (8-9); Eli Stone (9-10)
CBS: NCIS (7-8); The Mentalist* (8-9); Without a Trace (9-10)
NBC: The Biggest Loser: Families (7-8:30); Kath & Kim* (8:30-9); Law & Order: SVU (9-10)
FOX: House (7-8); Fringe (8-9)
CW: 90210* (7-8); Surviving the Filthy Rich* (8-9)
Wednesday
ABC: Pushing Daisies (7-8); Private Practice (8-9); Dirty Sexy Money (9-10)
CBS: The New Adventures of Old Christine (7-7:30); Project Gary* (7:30-8); Criminal Minds (8-9); CSI: NY (9-10)
NBC: Knight Rider* (7-8); Deal or No Deal (8-9); Lipstick Jungle (9-10)
FOX: Bones (7-8); Til Death (8-8:30); Do Not Disturb* (8:30-9)
CW: America's Next Top Model (7-8); Stylista* (8-9)
Thursday
ABC: Ugly Betty (7-8); Grey's Anatomy (8-9); Life on Mars* (9-10)
CBS: Survivor (7-8); CSI (8-9); Eleventh Hour* (9-10)
NBC: My Name is Earl (7-7:30); 30 Rock (7:30-8); The Office (8-8:30); SNL: Thursday Night Live* (8:30-9); ER (9-10)
FOX: Moment of Truth (7-8); Kitchen Nightmares (8-9)
CW: Smallville (7-8); Supernatural (8-9)
Friday
ABC: Wife Swap (7-8); Supernanny (8-9); 20/20 (9-10)
CBS: Ghost Whisperer (7-8); The Ex List* (8-9); Numb3rs (9-10)
NBC: Crusoe* (7-8); Deal or No Deal (8-9); Life (9-10)
FOX: Are You Smarter Than a 5th Grader (7-8); Don't Forget the Lyrics (8-9)
CW: Everybody Hates Chris (7-7:30); The Game (7:30-8); Top Model repeats (8-9)
Sunday
ABC: Extreme Home Makeover (7-8); Desperate Housewives (8-9); Brothers & Sisters (9-10)
CBS: The Amazing Race (7-8); Cold Case (8-9); The Unit (9-10)
NBC: Football
FOX: The OT (7-7:30); The Simpsons (7:30-8); Family Guy (8-8:30); American Dad (8:30-9)
CW: rented to Media Rights Capital
Winter/Midseason plans:
ABC: Lost; According to Jim; Scrubs; The Bachelor
CBS: Rules of Engagement; Harper's Island*
NBC: Law and Order; Friday Night Lights; Medium; Office spin-off; Merlin*; Kings*
FOX: Dollhouse; 24; American Idol; Hell's Kitchen; Secret Millionaire; Sit Down, Shut Up; The Cleveland Show
CW: Reaper
I'm really excited about Dollhouse, especially since Ausiello just revealed Angel/Alias alum Amy Acker has been cast as well.
Honestly. I'm excited.
My excitement is just not translating to the page. I can't even muster an exclamation point. Or adjectives.
E's Kristin Dos Santos talked to Joss Whedon about the series:
What's the pilot episode called?
"Echo."
What's it about?
The logline don't lie: "Echo (Eliza Dushku) is a young woman who is literally everybody's fantasy. She is one of a group of men and women who can be imprinted with personality packages, including memories, skills, language—even muscle memory—for different assignments. The assignments can be romantic, adventurous, outlandish, uplifting, sexual and/or very illegal. When not imprinted with a personality package, Echo and the others are basically mind-wiped, living like children in a futuristic dorm/lab dubbed the Dollhouse, with no memory of their assignments—or of much else. The show revolves around the childlike Echo's burgeoning self-awareness, and her desire to know who she was before, a desire that begins to seep into her various imprinted personalities and puts her in danger both in the field and in the closely monitored confines of the Dollhouse."
What's it like?
Dollhouse is like The Bourne Identity meets Stepford Wives meets boarding school meets Los Angeles neo-noir meets the Whedonverse. In short, it's rad, man.
If I was writing an eighth-grade book report about Dollhouse, what would I list as the "themes"?
Identity, self-determination, free will is both a blessing and a pain in the ass, The Next Generation's Data is a great TV character, Eliza Dushku is hot. What? Those first three at least are almost certainly themes.
Is Echo just a new name for Faith?
That's a negatory. Echo has a genius for contemplation and self-awareness that Faith couldn't begin to approach. Echo also has about 48 different faces to show the world, which gives her a good head start on Faith, who seemed to vary primarily between rage and desolation. In the first episode, we are shown that Echo is essentially like the Scarecrow from The Wizard of Oz—"If I only had a brain..."—but she's otherwise fully equipped with a soul, a rockin' bod, and a good, fearless heart.
Who's the new boss of us all?
Olivia Williams is going to rock as Adelle Dewitt, a Frigidaire administratrix whose rare brushes with human empathy and compassion are enough to make you suspect she might just be a good guy after all.
Where's the twist?
The Dolls are programmed to mix up identity and personality with a splash of subterfuge and a dash of dementia—but they're not the only ones. Tahmoh Penikett's FBI agent Paul Ballard is obsessed with opening up the Dollhouse, but he may have more in common with—and already be closer to—the Dolls than he even knows.
Where is the love?
Echo and Paul are going to be hot like fire, no doubt, but I predict that cerebral Doll mechanic Topher (think Kevin Rankin's character in Bionic Woman, but more evil) and blank-slate Kewpie-doll Sierra (Dichen Lachman) might end up being the other pair of opposites that attract.
Who's the Xander?
If I had to guess, I'd pick Victor (Enver Gjokaj).
What does the actress who plays Dr. Claire Saunders need to bring to the table?
Visible facial scars from a razor-blade attack somewhere in her past or a cooperative, calm personality and a willingness to sit quietly in a prosthetic makeup chair for extended periods each day.
SIGN THE PETITION SUPPORTING THE WGA.
I, ahem, "borrowed" this from Tim, who found it on Joss Whedon's website, Whedonesque.
In case you didn't know this about me, I simply adore Joss and find him to be utterly brilliant in every way.
And in case you are among the teeny percentage who do not know who Joss is (blasphemy!), he is the creator of three of the most fraktastic shows ever: Buffy the Vampire Slayer, Angel, and Firefly. (There's also Serenity. And Buffy Season 8, the comic series. And Wonder Woman. And...that other movie he's working on. And his awesome guest stint on Veronica Mars. And his upcoming show, Dollhouse.)
FROM THE FRONT LINES!
Sick as a dog but proud as a noble and much healthier dog, I made my way to the picket lines outside of Fox studios today. I’m really glad I did. In addition to carrying the banner, it was a chance to talk with other writers, get more perspectives and more information about what’s happening, and to see a surprising number of old friends. David Fury and Mere Smith were there, as well as many non-mutant enemies that I know. We were all caught in that giddy first burst of solidarity and fear. Nobody thinks this is going to be easy. But everybody there knows that, as things stand, it has to be.
A particularly gratifying and unexpected sight was that of Aly and Alexis, along with Cobie Smulders, marching shoulder to shoulder with the HIMYM scribes. Aly and Alexis even brought boxes of candy bars to hand out to the flagging marchers (actually, I was the only one who appeared to be flagging – even the pregnant writer outlasted me). Mere told me young Boreanaz had also been there earlier that day. I was really touched, but my actor-friends were very matter-of-fact about the whole thing. They understand that the issues at hand affect the future of the entire creative community here, and that the writers, by virtue of being first, will set a precedent that affects all the guilds. That is why we writers have to be firm, intractable and absolute in our dedication to getting a fair deal. And that’s all we’re talking about: a fair deal. For us, and for generations of artists to come.
Sounds pretty damn pompous, no? “Generations to come…”? Yeesh. But it’s true. Our culture, our government, our corporate structures have all gotten pretty used to taking care of ourselves at the expense of our children and their children. Part of this is simple greed, part is immediate practicality trumping long-view perspective, and part is perfectly understandable fear. It’s easier to take what you’e given, not protest, not make a fuss. A lot of people will suffer grievously if this strike isn’t quickly resolved, and the men and women who voted for it know that. But like so many things – our eco-system being the most obvious – if we don’t make it work now, what’s to come will be much worse.
Let me be clear on one point: I know I have it easy. I’ve done well, and I’m grateful that I can weather a long winter. Compared to what the studios have made off me my share is tiny and cute, but I’m in no position to complain. But take that differential, apply it to someone who’s just getting by when they deserve better. Now take it and… well, just take it, ‘cause when it comes to the internet and the emerging media there’s nothing there for the artists. There’s no precedent; these media didn’t exist the last time a contract was negotiated. We’re not just talking about an unfair deal, we’re talking about no deal at all. Four cents from the sale of a DVD (the standing WGA deal) sounds exactly as paltry as it is, but in a decade DVD may have gone the way of the eight-track. We have to protect the rights of the people who tell the stories, however they’re told. I’m never gonna be as articulate as Shawn or Brian (both of whom have been linked here, I believe), but I am just as committed. And a lot phlegmier.
I don’t think of the studio heads as a bunch of grinning tycoons sitting in a smoke-filled club and drumming their fingers like Montgomery Burns. I know some of those guys. I think they’re worried about the future as much as anyone. But they are beholden to their corporations, and that inevitably causes entrenchment and shortsightedness. They can’t afford that. This is an era of change, and for the giant conglomo-tainment empires, it will either be the Renaissance or the Ice Age. Because we will not stand down. Writers can be replaced, as we are constantly reminded. But so can companies. Power is on the move, and though in this town it’s been hoarded by very few, there are other companies with newer ideas about how to make money off of – or possibly, wonderfully, with – the story-tellers. Personally, I like things almost the way they are. I truly hope the executives negotiating for the AMPTP make the few simple concessions that will allow us to work with them again. I want to work. I have this idea, for a show about a girl… I even have the actress for it. And if we strike effectively, maybe she won’t have to.
I honestly started this post because of Aly and Alexis and their candy bars. But… well… there’s a lot going on. Huge props to the pizza people. Your support during this strike means more than I can express. (Note to self: picket near Jane.) I hope it won’t be long. I watched my Father strike, back in ’88. It was hard. But I was proud. I’m proud now.
Sincerely, -joss.
I usually don't post, what, 45 minutes after my last post, but this was way too awesome not to pass on.
Joss Whedon is coming back to television, thanks to Eliza Dushku, and he's bringing the masterful Tim Minear with him. Can I get a frak yeah?
I loved Faith. I saw right through that tough-as-nails exterior and her two-episode arc in Season 4 of Buffy and then her handful of episodes in Seasons 1 and 4 of Angel and Season 7 of Buffy were amazing. I always thought Faith and Angel had way more in common than Buffy and Angel.
I loved Tru Calling, too; well, I did until Jason Priestley came and ruined everything. Are you telling me it's a coincidence FOX pulled the plug shortly after he arrived on set? Hmmm?
From Michael Ausiello:
Short of a Buffy the Vampire Slayer
reunion movie, this is just about the best news you could ask for:
Eliza Dushku and Joss Whedon are reteaming for a new series! (Told ya
it would be worth tearing yourself away from the candy corn to drop by
The Ausiello Report.) Here are the five things you have to know about
the show, and I mean now:
1. It's a one-hour drama produced by 20th Century Fox to air on Fox. The first of the seven episodes to which the network has committed could premiere as early as spring.
2. It's called Dollhouse because that's the nickname of the high-tech lab where a group of human chalkboards are kept between assignments.
3. Human chalkboards?! Yes! What else would you call characters like Dushku's Echo who can be given new memories, skills and even personalities, then stripped of them just as quickly, leaving them virtual children.
4. Whedon is the creator, head writer and executive producer, and perhaps in part because Dushku convinced him to do the show, she's getting a producer credit. (Fellow Buffyverse alum Tim Minear is also on board.)
5. I just got off the phone with both of them!
First things first: How in the hellmouth did Dushku get her Buffy and Angel boss to do it? In a word, food. Shortly after she signed a development deal with Fox in August, "I called the one man that I knew I wanted to do [a series] with and had to have to have the best show possible" and invited him to lunch, she says. "And he was seduced!"
Actually, hypnotized, Whedon counters. "Eliza was wearing a hat with a big spiraling wheel on it, and she kept saying, 'Look into the wheel. You want to make television. You want it to be about me… ' It sounds hokey, but it really worked."
And how. Not only did Dushku get Whedon to agree to work on the project, but what she calls their "contagious, freaky, awesome energy" at that very get-together inspired him to create it. "I came up with [the concept] at lunch completely spontaneously, based on my conversation with Eliza," he insists. "It wasn't [an idea] that I was nurturing or that I tailored or I tried to retro-fit to her."
So what is the concept, exactly? Explains Whedon: "Dollhouse is a suspense drama about a girl who can have any personality except her own." So it's part Alias and part Quantum Leap, "because Echo is literally changing who she is," he continues. "She gets into people's lives a little bit."
Even Dushku's. "I relate so much to this character," she marvels. "Echo is essentially the story of my life. I've lived a crazy life the past 16 years, traveling around the world and then tripping and falling into this business. Everyone wants you to transform and be a different person every week."
Great chemistry and intriguing premise notwithstanding, you'd think that after Fox snuffed Whedon's Firefly and hung up on Dushku's Tru Calling, one or both of them would have been more than a little hesitant to get back into bed with the network. "Honestly? Walking back into that building was pretty damn strange," Whedon admits. But "I always had a good relationship with [20th Century Fox], and on the network end, it's a completely new bunch of people, and from what I’ve seen, a fairly impressive bunch."
Dushku seconds that emotion. "I really get the sense that they're committed to [this show]… It feels right."
Besides, as Whedon notes, "I told them I was interested in writing a pilot, and they gave me seven episodes. They’ve already shown more support for it than I have."
Now it's your turn to show the comeback kids some love. And, like Dushku, I don't think you'll let them down. "We have the best fans in the business [in the] the Buffy and Whedon universe," she says. "It’s going to be pandemonium when this [news] hits."
And
it's only just begun.
